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                                                                         Image courtesy: Fiona Cardoz

  Pictured here with a rare cigarette, 88-year-old Christaline Cardoz was a proud bidi smoker for nearly 50 years before she quit




Often, in the course of interviewing a person over telephone, the two of you connect. At such times, invitations are extended. “You should come home some time,” they say. If you too have warmed up to them, you ask them where they live, so that if you happen to be in the vicinity sometime in the future, you can drop by.


With such people, in this case yours truly, 88-year-old Christaline Cardoz doesn’t bother with the postal address. Affectionately introduced to me as ‘the wicked witch of the family’ by her granddaughter, Cardoz’s fame precedes her.


So if you are to meet her, here’s the drill: go Goa, get down at the capital and head to Mandrem village. Once there, go to the local market or the bus stand – any place where you find taxi drivers lurking around. “Tell them you want to go to Bidi Aunty. They will bring you home,” says the feisty old woman, letting out one of her giggle-a-minute laughs.


Among the locals in the village of pristine beaches, Cardoz and her smoking habit is somewhat of a legend, as is her brashness about it. “The first time I started smoking was when I was carrying my second daughter,” she says candidly. She was 23-years-old then. Though her initiation had happened at the age of eight, it took pregnancy cravings to get her hooked to it.


Back then, Cardoz lived with her husband who worked in the Indian Railways in suburban Mumbai. Over fifty years of living in Mumbai, her children grew up, went abroad and prospered, carving out their own family lives. Cardoz, too, retreated to Goa where they had built a spacious villa, befitting to their now scaled-up social standing. But some old habits die hard. Others don’t at all. Call her a medical marvel but her faithful companion through all the chapters of her life was bidi, a fresh one every twenty minutes.


Of course there was resistance. Her husband, a cigarette smoker who quit after a few years, was keen on his wife following his example. “We used to fight a little because of that,” chuckles Cardoz. “It was fun-fun fights, not hard fights.” One of the reasons frequently brought up was their social standing and good manners. “Husband used to tell me, it’s shameful to smoke bidi. I used to say, why? Am I robbing you? He said, no, it’s about manners. I said, give me money and I will buy manners.”


Christaline Cardoz now lives by herself, occasionally renting out the first floor of her house to tourists. After repeated insistence from daughter-in-law, she has given up smoking, and in turn, imploring her granddaughters from letting her have one more drag. “No no, little bit” is now stuff of past. Her reasons for smoking bidis were never for their affordability. It was something she liked and she didn’t need her social status to dictate that. When someone tried, she had a standard refrain: “It’s not your money.”


***


While a part of the secret to Cardoz’s health might lie in ‘mouth-fagging’ – the process of taking in smoke but never letting it reach the lungs – she is a representative of the rare breed of bidi smokers among the affluent sections of the society. For them, smoking the humble stick of tobacco in a hand-rolled tendu leaf is a lifestyle choice. Even though bidis sell eight times as much as cigarettes in India, the usage is mostly found in the poor and the proletariats, usually in the rural parts. Cardoz, among other members of the bourgeois, are among those who buckle this trend.


Every kind of rolled tobacco has had a popular icon to go with it. If a pipe tickled the fancy of Sherlock Holmes, cigarettes had their share of popularity with the Marlboro Man. Not too long ago, devil’s advocates Denny Crane and Alan Shore from a popular American TV series could be spotted on their office balcony smoking away Cuban cigars to glory. Except for a guest appearance in a popular song by their namesake in the Hindi flick ‘Omkara’, bidi has as yet found it difficult to earn the favour of the popular culture.


A bidi might only be one marketing genius away from exploding into the urban consciousness but if the findings of the Indian chapter of ‘Global Adult Tobacco Survey (GATS) 2009-10’ are to go by, the total population of tobacco smokers in India is already around 111 million. Bidi smokers account for approximately 85% of them.


The statistical data among the affluent stratum of bidi consumers, if available, is hard to be found. “They form a small part of the population,” says Dr Prakash Gupta, director of the Navi Mumbai-based NGO Healis, and a part of GATS and a number of studies on tobacco usage and its proliferation. “There is no public health interest in specially studying them. Besides, income questions get sensitive and complicated.”



What happens when one picks up a bidi not just because of its affordability? For one, they are not too forthcoming about their habits. The white-collar life dictates a certain social decorum; when you offer to tell their stories, their confessions are conditional to the writer promising to mask their identity. Such is the case with 22-year-old Josh Abraham. For him, it certainly wasn’t love at the first puff. It’s a wonder that he has stuck around for more than six months.


“It’s like sipping black coffee, like a very bitter one with no sugar at all,” he says, adding as an afterthought, “I’ll probably add some salt in.”


Abraham works as an art director at an ad agency in Mumbai. A cigarette smoker since he was 16, he was introduced to his vice three weeks into the job by a co-worker, himself a bidi aficionado. The two were at the terrace of the office, a demarcated smoking zone. Abraham was out of cigarettes and his colleague offered him a bidi on a trial basis. Over time, as the bond between the two bloomed, Abraham found himself turning into a chimney, finishing around 20 a day.


His habit has a way of landing him into metaphorical blind alleys when surrounded by friends. At a college reunion recently when he flipped out a bidi, little had he imagined a close friend snatching it from his hands and throwing it into the sewer. Abraham knows their disgust and occasional ridicule stems out of concern. While there are misconceptions about a bidi’s health quotient compared to other addictives, recent studies have established that with its nicotine potency, absence of filters and high quantity of chemicals like phenol, hydrogen cyanide and carbon monoxide among others, smoking one causes more harm than an average cigarette.


Consequently, Abraham takes precautions to Fort Knox levels when around his parents. Late working hours ensure that he doesn’t bump into them when he returns home around midnight. Since it takes much more than chewing mint to get rid of the smell, he showers before turning in. During weekends and family trips, he keeps his stash far from his reach. He is not addicted to it, he claims, which makes it easy. But once on his office terrace, the seduction of the rolled leaf is hard to resist.


“Maybe it’s because you are a creator,” he explains, through mouthfuls of coffee and burger he is having for breakfast. “Creative people don’t mind trying anything. I have an office where alternating your consciousness on a daily basis is the norm. I have three people on my floor who smoke one [marijuana] joint in the morning, afternoon and evening. So it’s nice that way.”


Later, I join him to take a hit of the stuff that has been fuelling his engines for the past six months. Over three to four puffs, I let the smoke wash over my insides. I rinse my mouth soon after but the taste of burnt paper persists for several minutes.

  
***


It’s perhaps because he is asked about it too often that 27-year-old Dhruv volunteers to spell out his surname. “It’s T-I-K-K-A,” says the man with dense facial fuzz and Punjabi roots. I crack an involuntary smile. It doesn’t escape him. “You can try,” he says, in a tone of resigned amusement. Be warned: chances are that your wisecrack isn’t something he hasn’t already heard before.


At the age of 22, Tikka was pursuing a degree in international politics at the University of Manchester when a friend from India told him he will be coming down to England in a few weeks. Tongue firmly in cheek, Tikka asked him to buy him some bidis. Instead of getting loose sticks or a pack, his friend got him an entire carton consisting of 20 packs.


Tikka had been smoking from high school but he had never tried a bidi. With high prices of cigarettes in the UK, he decided to give it a go. Soon, he was smoking six to seven bidis a day. Once, a professor noticed him smoking one after a class. Curious at the novelty of it, he offered to buy a pack.


“I wasn’t sure what to ask him. At that time, one pack was for five rupees. I was like, ‘Four pounds.’” It was still a winning bid, considering a pack of cigarettes cost six pounds in England. After the transaction, the entrepreneur in Tikka realized he could tap into people’s curiosity to fund his stay. He was soon asking his friends back home to get him more cartons to keep up with the demand. Over the course of two years, he had sold around 150 packets of the homegrown variety.


Now working as a private English tutor for the students of the IB curriculum, Tikka has moved on to smoking a pipe and an occasional cigarette. Every few days though, when he is having a drink or at a music gig, he likes to smoke an odd bidi or two. Other than to satiate the occasional cravings, the intention is to attract attention. In his case, a bidi acts as a conversation starter or at the very least, a catalyst to it.


“I like to see how people react to it,” he confesses. He is usually greeted with two kinds: one of condescension, one of intrigue and amazement.


“If you smoke a bidi, it burns,” he says. “It’s slightly masochistic in approach but it’s an interesting thing. I am going to use an analogy here: cigarettes are like chickens. It’s a boring meat. Everybody does it. A cigar is [like] a good steak. A bidi is like a lamb.”


“And what do you think of a lamb?” I ask.


“I can use some right now,” Tikka titters.


***


For three months in 2013, 22-year-old Pawan Maruvada went off the radar. An engineer by qualification and freelance a copywriter by vocation, Maruvada was increasingly tormented by troubles in his professional and personal life. When he finally ended a relationship with his then partner, Maruvada moved out from his friend’s place in Hyderabad and got himself a new roof, seeking comfort in solace.


As the stack of unfinished assignments towered, Maruvada decided to abandon them completely. The wheels of income grinding to a halt marked the fall of yet another domino. Never a fan of alcohol, he decided to smoke his woes away. It wasn’t long before he was finishing a pack a day, sometimes two.


“Remember those ads played before the beginning of movies these days where they squeeze out a lung and show the tar dripping down?” he writes in an internet chat. “You actually feel the tar, the particulate matter and the chemical sludge sticking to your lungs.”


Over time, he walled himself up indoors except for long strolls at night. His dependence on bidis grew to the point he stopped counting. In a classic case of a chain reaction, he was compromising on his food intake, his smoking neutering his hunger pangs. His body fat dropped and he lost around 18 kilos. From spending thousands of rupees on books, wardrobe and sneakers, he was now reduced to a rent paying automaton and spent days on cups of tea and infrequent titbits. The rest was a smokescreen.


It was October 20, 2013, he remembers vividly. He had finally emerged out of his burrow and taken off to Bangalore for a cultural festival in Bangalore. “Right outside a friend’s place where we were put up, there's a small portable pan shop. I had 12 bucks on me. I went and bought bidis for the day and I passed one to my friend. We walked a few steps ahead on the road and smoked on a small bridge which overlooked a dirty, soapy drainage. I had a few drags and my chest hurt like I was having a seizure. My head started spinning.”


That was the last straw. He had long since wanted to quit but couldn’t bring himself to it. When his insides started feeling like vitriol, Maruvada threw his bidi into the sewers and coaxed his friend to do the same. “Since that day,” he smiles, “I haven't smoked one.”


Maruvada has now been working hard; cooking and eating healthy food. Starting 2014, he has added two new points to his bucket list: to participate in a 5K run and save up enough to travel around the country. Unlike others, Maruvada doesn’t mind giving consent to use his real name. It’s to send a message to all those he has ‘inspired’ to smoke through his college days and after.


“I think it will do some justice for all the misdeed I have done,” he says.



(Published in Free Press Journal 'Weekend' edition on February 24, 2013)




They appear as objects of titillation, if not the mother of sacrifices. When the director wants to be adventurous, they are also able to stride deep in muck and together push an ambulance out of mud while the males just gaze at them gratefully. But no, it’s not women’s physical strength and the innate social responsibility of helping which is being projected. It’s that pristine washing powder which Rekha, Jaya and Sushma turn to, once they are done releasing the ambulance from the dirty, dirty muck.
The role of women in advertising is a no-brainer. Oomph and sex sells as does the mother, sister and daughter image that reeks of goodness and sacrifice in the Indian advertising. Now, the Indian advertising fraternity has decided that this needs to change. And yet, change is not going to be easy. Barring the most blatant, each advertisement can be interpreted differently. Good mother or meek mother? Understanding wife or victimised wife? Perceptions differ. What may be sauce for goose need not be sauce for gander in Indian advertisements. Take this one for example.



A regular urban family – a working husband, a loving wife who makes it a point to keep him company for dinner every night, and a small kid in the background. That day, the couple is at the dining table when the wife confesses that earlier in the day, she accidentally broke his trophy.
The husband freezes. “What do you mean you broke it?” he asks in disbelief. It was one of the trophies from his school-days. Clearly, he attaches a lot of nostalgic value to it. “Do I ever touch your stuff?” he demands. He can’t stand the sight of his wife any more, one whose pulao he was singing praises of only moments ago, and storms out.
We are in the middle of an advertisement of a packaged milk brand. Called ‘Mother Dairy’, the accused, the mother, walks over to the real culprit – her son. He has been witnessing the altercation from his hiding spot. She quietly instructs him not to play cricket in the house any more. “Our mothers go to such lengths for us,” says the voiceover as the santoor trills in the background, “let’s drink milk and stay healthy, so that we too can take care of them one day.”
What appeared innocent at the first sight raised a hue and cry at a recent gender sensitisation seminar held in Mumbai by the India chapter of the International Advertising Association. Criticisms were hurled back and forth and suddenly, the reliable mother-son equation was also a potential case of domestic violence. “Subordination of women,” said one, “reinforcing stereotypes,” said another. A few minutes later, the advertisement was sexist, promoted patriarchy and had a takeaway that women need looking after, that you can do your bit one glass at a time.
One of the well-known anecdotes by advertising graduates talks about a professor who walked into class on the first day of the semester and announced, “Today on, we are going to teach you how to lie with confidence.” The account might be taking it a bit too far but doesn’t discount the fact that advertisers morph reality by liberal use of the creative license. But when they take recourse to being cute or glamorising sociopaths, they raise hackles.
Take the deodorant advertisements and their singular message – the way to a woman’s heart is through your armpit. While women have always been shown turning into nymphomaniacs at a mere whiff, a recent advertisement by the deodorant brand ‘Zatak’ pushed it too far, thinks Sangeetha N, executive creative director in the advertising agency R K Swamy. “The bride waiting for her husband in her bedroom starts undressing herself in front of the guy next door when she smells his scent. It sends a clear message that women are available,” she says.

For some, exaggeration isn’t as much as a problem as showing regressive hierarchy of sexes. Charged guilty under this section is a recent campaign ‘Soldiers for Women’ by the men’s grooming brand Gillette. The copy reads ‘When you respect women, you respect your nation’, and the first step to it is probably is giving up your stubble, since none of the models seem to have any.


“The advertisement is all about patriarchy. Safety is my basic right. Why do I need protectors and defenders and ‘soldiers’, who come with the connotation of violence?” asks Geeta Rao, creative director of Geeta’s List agency.
But then, advertisers are no activists. It’s the entertainment quotient that makes one race the water that has just been unleashed down the dam only to recover a soda bottle. And if deodorants were all love potions one needed, who would go to all the quacks promising Romeos the girl of their dreams in every local train poster?


“Say I decide to stick to all the sensibilities. Then I’ll have feminists asking for ‘better representation’, anti-nicotine lobby asking for no cigarettes, traffic police for helmets, no stunts due to ‘impressionable minds’, no use of children due to child labour regulations, I won’t be able to show animals on grounds of cruelty, environmentalists trying to push their cause… There will be so many can’t-dos that you will end up stifling all imagination,” says K V Sridhar, creative director from the agency Leo Burnett. “Clients don’t set out with an agenda of making an ad offensive. It is people who sometimes view things with a magnifying glass,” he adds.

At the end of the day, we are a nation with a popular perception that the only way to make oneself count is by getting at least one media product banned every year, be it a novel, film, cartoon, website, public intellectual or a CPI(M) sympathizer. So what is the way out when my portrayal of a homemaker is your version of a housewife?
“What needs to be done is going beyond the conventional wisdom. In fairness cream ads, a fair guy gets all the girls but a fair girl only gets a husband. It’s the nuances that make the difference. How about we have a morning cereal pack being opened by a man, for a change? Let’s have less stereotypes and more entertainment,” says Rao.